Debussy’s Slippers
George Gershwin thinks he could do better, better than Broadway.
Ira Gershwin disagrees, why get funny ideas about writing po-faced Piano Concertos that no one hears, when you’re already getting much respect and much money (and much female attention) from writing hit shows? But what George wants George gets, and soon the brothers are traveling to Europe to meet French maestro Maurice Ravel – you know, a real composer.
Despite dreading this American invasion on his artistic privacy, the haug... [Read More...]